The House of Culture will be the stage chosen for the presentation of Marina Tiburcio in Flute, Mauricio Torres Urrutia in Viola and Carolina Varvará in Harp. Tickets are now on sale at www.saltaticket.gob.ar.
This initiative of the Mozarteum Argentino – Salta Branch seeks to bring classical music closer to the entire community, providing an enriching and accessible cultural experience for everyone.
The program selected for this evening will include important works in two parts. The first part will include “Marguerite au Rouet” by Albert Zabel; “Le Rappel des Oiseaux” by Jean Philippe Rameau; “La Source” by Alphonse Hasselmans; “Impromptu Caprice” by Gabriel Pierne; and “Au Matin” by Marcel Tournier. Subsequently, you can enjoy “Sonata for flute, harp and viola” by Claude Debussy and “Deux Interludes” by Jacques Ibert.
About the interpreters
Ana Carolina Varvará is a harp player. Born in Buenos Aires, she began her studies at the Julián Aguirre Provincial Conservatory, later continuing at the National University Institute of Arts (National University of Arts, CABA), where she obtained the title of Higher Professor of Musical Arts with a specialty in Harp. During her career, she has had the opportunity to perfect herself with renowned teachers, both local and international, which has enriched her technique and understanding of the instrument. She has participated in various music lectures and festivals, both in Argentina and abroad, which has allowed her to expand her experience and her repertoire. As a harpist, she has been part of several orchestras and groups, highlighting her participation in the SODRE Symphony Orchestra (Uruguay) and the Montevideo Philharmonic Orchestra. She has performed as a soloist on numerous occasions, both in Uruguay and Argentina, and has been invited to collaborate with prestigious orchestras and musical organizations throughout the country. Since 2006, Ana Carolina Varvará has served as Soloist of the Salta Symphony Orchestra. The artist currently contributes to spreading the pedal harp in Northern Argentina through innovative musical and pedagogical projects. He has been a key figure in the creation of harp chairs in the region and promoting the I Harp Week in Salta in 2023, an event that included the participation of leading teachers of the instrument, training, as well as a wide variety of activities. .
Marina Tiburcio is an outstanding Argentine flutist, graduated as a teacher from the Institute of Musical Studies and Research Collegium in the city of Córdoba in 2004. During her career, Marina perfected herself with renowned national and international teachers, which enriched her technique and her understanding of the musical repertoire. From an early age, she participated in various orchestral groups, such as the Children and Youth Orchestra of the province of Córdoba and the Orchestra of the National University of Córdoba, demonstrating her talent and dedication. Over the years, Ella Marina has featured on stages around the world, from festivals in Brazil to concerts in Bolivia and Paraguay. She has performed as a soloist alongside prestigious orchestral groups, performing both classical and contemporary works, and has been recognized for her virtuosity and musical expressiveness. In addition to her career as a performer, Marina has also shared her knowledge and experience as a teacher, teaching classes in the national program “Bicentennial Choirs and Orchestras” and at the Higher School of Music of Salta. Currently, Marina Tiburcio stands out as a flute soloist in the Salta Symphony Orchestra.
Mauricio Torres Urrutia is a prominent violist born in 1976 in Arica, Chile. The musician has stood out both in his native country and abroad. From an early age, he showed an innate interest and ability in music, entering the flute specialty at the age of 6 and later the violin, before finally dedicating himself to the study of the viola. His musical training includes studies with outstanding teachers and his talent allowed him to obtain important recognitions and scholarships, such as the scholarship awarded by the Municipal Theater of Santiago de Chile. His ability as a violist led him to occupy prominent positions in various orchestras, such as first viola in the National Youth Symphony Orchestra of Chile. In 2007, he was invited by the Salta Symphony Orchestra to participate in a tour to the city of Bariloche, which marked the beginning of his connection with this renowned institution. Since then, he has been a stable member of the Salta Symphony Orchestra, contributing with his talent and dedication to the musical wealth of the region. In addition to his work as an orchestral musician, Mauricio has also ventured into teaching, working as a viola teacher at the “José Lo Giùdice” Music School and collaborating as a teacher in the Viola chair at the Children’s and Youth Orchestra of Salta.
About he program
The works selected for this concert offer a variety of styles and periods within the classical and romantic musical repertoire. In part I of the program, we find works that mainly belong to the late romantic period and musical impressionism. “Marguerite au Rouet” by Albert Zabel is a romantic piece for harp that reflects the sensitivity and technical skill characteristic of this instrument in that period. “Le Rappel des Oiseaux” by Jean Philippe Rameau is a baroque work that displays the elegance and ornamentation typical of the music of that era. “La Source” by Alphonse Hasselmans is another harp piece that combines romantic elements and technical virtuosity. “Impromptu Caprice” by Gabriel Pierne is an impressionistic work that evokes soundscapes with its use of harmonic color and musical texture. Finally, “Au Matin” by Marcel Tournier is another romantic composition for harp that stands out for its lyricism and delicacy. In Part II of the program, we delve into 20th-century musical impressionism and neoclassicism. Claude Debussy’s “Sonata for Flute, Harp and Viola” is one of the most emblematic works in the repertoire for this instrumental combination. It presents the characteristic elements of musical impressionism, such as evocative atmosphere, exploration of timbres and rhythmic fluidity. On the other hand, “Deux Interludes” by Jacques Ibert is a neoclassical work that shows influences from jazz and popular music, with its energetic rhythm and characteristic humor. These works unite different styles and periods within classical music, from the Baroque to the 20th century, highlighting the diversity and richness of the repertoire for flute, harp and viola.
