For several months of fictional winter and imaginary monsters, Ricardo Darín y César Troncoso They delivered to an epic that goes far beyond the script. The Eternalutaone of the most emblematic works of the Argentine comic, came to life on the screen with its representations of Juan except y Alfredo Favalliand also behind her. In its column of Infobae livethe journalist And EME He interviewed the actors, who undressed the soul of filming. It was not just acting, it was resistance, it was a community. It was, as the motto of the series says, the confirmation that “No one saves alone”.
“There is something in that motto that is not just a well written phrase,” Darin slipped. “Energy circulates. If you get off, they lift you. If you falter, they hold you. There is a collective well that does not let one sink alone. ”The words were not lost in the air: the spirit of the set was with surgical precision.
There, between Chroma green walls, under the supervision of technicians and creatives, Artificial snow fell while the actors struggled against non -existent monsters. But the illusion did not break. “We had to be playing this weird game to make a thing likely where we were César (Troncoso) and I against some monsters that appeared,” Darín explained, with that mixture of humor and delivery that characterizes it.
TrunkUruguayan and veteran of a thousand scenic battles, joined with conviction to the collective tribute: “It was a long process, seven or eight months. But but What struck me most was what happened behind. The commitment. The power. Respect for a classic Argentine history. ”
And it wasn’t just the cast. Behind the camera, “There were another pile of people responding with the same pocent”Troncoso warned. From those who made the snow to those who adjusted the light of a lost plane in the middle of the apocalypse. Everyone pushed the story as if it depended more than a series: memory, symbol, cultural resistance.
The Eternaluta It is not any story. It is the chronicle of a Buenos Aires razed by a mortal snowfall, where a group of survivors struggles to preserve humanity. Its creator, Héctor Germán Oesterheldleft in that work a political legacy, a warning, a prayer.
“There are people who are used to working alone and do it very well, and sometimes they even give prizes for that. I have seen it countless times and it seems good to me. But there are other people, of actors, who need the other. I am one of those, ”Darín was sincere. In his words, his work philosophy and the essence of The Eternaluta. Because if something shows that story is that loneliness is a trap, and that only the link saves.
When it was time to face the invaders, unreality took human form. “We had some gentlemen in charge of making monsters. But they were not monsters. They were like pitufos dressed in blue,” Darín said. And yet, there was the actor, playing whole for the viewer to believe in the threat. Because, deep down, it didn’t matter if they were aliens or what: what was told was the fight of the commons.
In that effort, the team was everything. “We were all aligned at the same frequency,” said Darín. From art to makeup, from direction to costumes, Each gear made the wheel of a science fiction story with deeply human roots.
The filming of The Eternaluta It was a test. Not only artistic, but emotional. A shared resistance exercise that left in its protagonists more than fatigue.
“The team rescues you more than one occasion,” Darín repeated as a litany. And that echo, in the middle of the icy silence of fiction, sounds truthfully. No one is saved alone.
