-The new Marvel and Disney movie stayed with 46.5% total public between Thursday and Sunday.
–Mazel Tov He reached 280,000 spectators since its launch.
-Flojo start from another national film such as Message in a bottle.
Published on 05/05/2025
With 76 million collection dollars in US cinemas and another 86 million in the rest of the world, Thunderbolts* (Here our criticism) He added 162 million million for a first weekend but at all spectacular, especially considering that the film cost more than 180 million dollars without counting the immense launch expenses (the study also has less than half of gross collection). Therefore, several more weeks must be kept strongly on the poster to begin to be profitable.
In the Argentine Salas Thunderbolts* He summoned almost 170,000 people from Thursday to Sunday (on Thursday, May 1 there were several holiday complexes) in 500 rooms, but since he had pre -stakes on Wednesday, April 30 that day added 35,000 tickets, so its total in 5 days reached almost 205,000 spectators.
National cinema had a bittersweet balance. Mazel Tov (Here our criticism), From and with Adrián Suar, he sold 50,000 locations on 175 screens (for this third week he lost 35% of the rooms) and was in third place. The public drop compared to the previous weekend was 24% and its accumulated in 18 days reached almost 280,000 tickets. This total is much higher than just 60,000 spectators harvested by Jat Matte (2024), but far from the 785,000 30 nights with my ex (2022).
The debut of Message in a bottle (Here our criticism)Gabriel Nesci film with Luisana Lopilaato, which started in the seventh I can with just over 8,000 tickets in 125 rooms. Anyway, Argentine cinema had not had two titles among the 7 most seen of the billboard.
Thesis on a domestication (Here our criticism) He had a minimal exit, but exhausted his four functions in the Cacodelphia art cinema (393 spectators), as well as his only projection in the malba (just over 200 people). It was also projected in some INCAA spaces, but it still did not reach the Gaumont.
Despite the enthusiastic criticism and the recent visit to Buenos Aires of its director Alain Guiraudie, it was discreet of the start of Misericordia (Here our criticism) with 1,600 spectators in 13 rooms.
The total number of spectators in the country between Thursday and Sunday was almost 390,000 (a quite poor number in the case of a weekend with four holidays), always according to Ultracine statistics.
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