With the permission of the Easter Sunday -emblematic effect in the calendar -, today Thursday was marked in red as indispensable for the Hispanic amateur, the one who saw in this poster by Antonomasia of the according to his way of seeing and feeling the bullfighting. Celebration where the layer’s bullfighting of an ortega shined to the cape in a winged form. Sword that gave a layer recital before two bulls that arrived if the bottom of the crutch. Aguado also savored the Capotero bullfighting with a third party and uphill, another with the tank of the caste to the limit. Despite the condition of this, he built a work of great expression and bullfighting before a grass for which he only bet Aguado. But if we talk about commitment we must stop in the figure of Morante de la Puebla, a sword that would walk two benevolent ears of a fourth mansurrón with which he surprised core cape. Bullfighting according to Seville, an ode to emotion, a asylum into which a full square to the flag becamethat which days ago was indifferent with a much more solid and round work than the one carried out today.
Morante is temper before a first one who lacked greater race
The respectable with the first of the afternoon showed some impatience, a horned by Domingo Hernández not exempt from fortress who unevenly rammed the cape of a Puebla dying that never broken down. His sets were counted, those where the Sevillian chiseló Verónica of pure settlement and great temperance. Measured was Domingo Hernández, a bull that he took by Chicuelinas to the Jaco before a great compass and temperance removal. José Antonio drew three Verónica and an average that could well be exposed in the Museum of Fine Arts. They were set to idle where he caressed Hernández’s to enjoy a teacher to overflow. Nor were the Ortega aprons left behind. Accompanied the animal in three sets that were pure harmony before a bull measured in its race but good embroque. Firm passes, mills and right -wing drew Sevillian at the beginning of a trasto where everything did in favor of the animal. Already in the center of the ring would draw a round series of great purity – both in the CITE as in the placement – where he always led to an animal that he stroked in a right -wing that stopped time. For the left, he always tended to come thread, something that forced the Sevillian to lose a couple of steps to link. He was clear from mind, settled in the sand and always trying to fight the animal without abruptness. He succeeded on the grounds and giving him his time between batch and batch to let Domingo Hernández breathe. But the horned had already turned off as a candle despite the good treatment given by the cigarrero. José Antonio liked in a final series together where he drew natural concept. A warning rang being cheered after getting stuck with steels.
Ortega lets his cape fly against a second of little zeal and delivery
If Morante had raised Seville with a bouquet of loose Verónicas of fine stroke, Ortega did the same with a groceries to the idle. The Sevillian spelled the lance to Veronica before a first of irregular onslaught. He had the intelligence of waiting for the animal to put his face to let his scoring fly in very pulled sets. The last three Veronics bullfighting with half a hood and sleeping in the lance put people standing. The bull defended in the Jaco, showing again changing and disorderly onslaught when Juan removed the Veronica. He became complicated to flagillear, putting this one in a serious squeeze to a Jorge Fuentes who forced him to go through the infirmary after taking him ahead. Astate who also did not slide in the crutch, ramming without rhythm and slowed when he went through Ortega’s jurisdiction. A changing bull and this one that Juan tried little by little to put in the crutch despite his complexities. It would be cheered after passing the bull of a somewhat lying lunge.
Aguado draws a fine task stroke before the third third
The third did not like a manilargo bull and very uphill that looked for the suns of the sun, the one he tried to stop Pablo Aguado without luck before passing through the jaco in a third of rods where the bull pushed with more genius than bravery. A meekness that felt again after being punished by the horse that made a door. Pablo took advantage of the stunning passee of the Astado Salamanca to leave a galled start of slaughter. He always sought to fight in favor of the animal taking advantage of the inertia with which he moved despite sleeping. Toro to which it had to be caused by practically snout to take the cloth with some length. Very intelligent Pablo was always leaving the dead crutch and pulling him with temperance. He wanted to do everything slowly, without hurry. The Sevillian opted from the beginning for a complex bull that tended to want to leave and overwhelmed but had it soaked in the cloth. He succeeded in letting her dead and pulling him, took advantage of that tendency to drawing natural and natural naturalness, that which is already a hallmark of this bullfighter. Orange with inequalities but with bullfighting phases, a work that was seasoned by mills, low auctions and passes from the firm to end up shaping a work that was lived with interest. He stuck with the steel with the bull already very close to chiqueros, greeting this a affectionate ovation from the third.
Morante walks both ears to the room after a task of great emotion
The music rang on the Morante Layer receipt the room, grabbed to which he launched extremely with the cape to one hand while Seville pulled the improvisation of a sword that took out some sets already in disuse. A fine bull and with a lot of neck, a nerve grove that demanded a total concentration. He pushed Jaco zeal in a third of rods where the respectable cheered Aurelio Cruz when he retired to the crew court. A nicing clearly of media, the one that José Antonio stole overlooked at his beginning of slaughter next to tables. Already in the center of the ring, the Sevillian took advantage of the inertia of the animal to leave it in the face and pull it in crutches at medium height. It sounded ‘Uncle Canillitas’ And Morante sought to polish the defects of a bull that cost him to temperate. A Zurdas took advantage of that love to steal natural strokes in a trasto that reached its zenith with a round batch in its post -treatment. He took a step forward in a series where he really became bumping with a bull with edges. Left that concept behind Joselitista To look for the road Belmontista in a final series of enormous purity -both in its placement as in its composition. He square in front of the animal giving time to teach death, at which time he saw the hole of the needles and threw himself with a chest discovered to bury the steel. The scarves sprouted vehemently a double trophy that seemed excessive. Apart ears, José Antonio gave Seville an afternoon of total delivery in the return of the cameras open to the Hispanic coso.
Juan Ortega Palaca El Toreo de Capa before a fifth lifeless
Music played again in the sets of Juan Ortega to the fifth, a bull that slid with greater quality for the left python, that which took advantage of the Sevillian to fall asleep in sets of great discomfort. If he had excited the square with his bullfighting to the Veronica, he left an winged to quite for chicuelinas where he curled the bull at the waist bullfighting with his wrists and waist, the one that reminded Sevillian bullfighters of past times, an inexhaustible source where Juan drinks. Also for Chicuelinas, Pablo Aguado tozes in his concept of concept, those where there was greater naturalness than depth being two swords with different concepts of bullfighting. He began his transteo with helped overlook with the whole body before finishing off the series with a firm pass and the posterior chest. By law the grass tended to raw jumps and with his face halfway, something that took cleaning the series. With the expectant square to see if the work took flight the animal threw the brake and grabbed the floor. I would return to the left, but on Sunday I didn’t want to push forward. After burying the steel he would greet an ovation.
AGUADO PORFÍA WITH A SIXTH CAST VACE
He also lacked the grove that closed the run, an exemplary that rammed with a medium -height face on the avocado receipt. The Sevillian drew sets of his concept concept before seeing how the Astado Salamanca ended up throwing the brake. After an unequal third of rods, the bull got a walk, waiting for a enormity to those of silver. A meritorious work where I would highlight the performance of Iván García, who would greet Montera in hand with Sánchez Araújo. The reservoir behavior he had had during his fight again came to light in the crutch of an avocado that struck before a grass to which he lacked delivery. An empty caste bull to which the Hispanic never lost his face in series where there was a greater adjustment. Natural tried to look for turns with crutches where temperance and knowledge prevailed in land and heights, but the bull undertook insuls and without too much zeal. After puncture and lunge greeted an ovation from the third.
Celebration file
Bullring of the Real Maestranza de Cavalía de Sevilla. Sixth of fertilizer. Bulls. There are no tickets.
Bulls of Domingo Hernández. Unevenly presented and dazzled game in general. Of temperate and pastueña onslaught a first measured of forces and race; without rhythm or a second of changing and messy onslaught; of meek condition a third party of attacks; of mansurrona condition a room that had emotion in fabrics; Without thrust or deliver a fifth that went out after the first series; without breed or pushing the dull sixth.
Morante de la Puebla, of green bottle and gold: ovation after warning and two ears.
Juan Ortega, of pure and silver: ovation in both.
Pablo Aguadoblack and gold: ovation and ovation
Incidents: After a fuck in the third of flags to the second, the subaltern Jorge Fuentes suffered a fibrillar rupture for which he could not act in front of the fifth, having to act Joao Ferreira in his place.
Gangs: Iván García and Sánchez Araújo greeted in the sixth
Photo gallery: Eduardo Porcuna
