Six years passed since the physical departure of William Bredeston already Nora Carpena It took her, in her words, a long time to emotionally readjust to the loss of her lifelong husband. It was Bredeston who created the work Witcheswhich became a phenomenon within Argentine theater and is currently still presented at the Multitabarís, with Cárpena, Moria Casán, Graciela Dufau, María Leal and Luisa Kuliok.
In an interview with Soon, Nora told what special moment of the day her ex-husband appears to her. She was in that intimate conversation with the journalist Nicolas Peralta where, in addition, the prestigious actress told of the special request that Bredeston made of her before dying. At the time she set up a clinic in her house and that disrupted her daily life.
“In daily life, what was it like to readjust with your husband’s absence?” Peralta asked and Cárpena responded: “Difficult. Very difficult. Guillermo was at home in bed for a long time because we did home confinement. I didn’t want him to be in another place and it seemed best to have it in our house. So, I set up a kind of small clinic in the main room and moved to another smaller room.
“We had nurses 24 hours a day and the doctor came once a week. Twice a day I had kinesiology and luckily I have Galen, who helped me a lot. I name him because he behaved very well with me and otherwise it would have been impossible. I had a speech therapist to help me. helped move the muscles of the mouth, in addition to the permanent nurses,” Nora said.
And she told her husband’s special request. “William did not want female nurses and preferred men to bathe and assist him. He felt more comfortable. I don’t think it’s bad for someone who does it outside, but I decided that his rehabilitation should be done at home. He was even more comfortable for me, that he would go to work, do my things and when he came back, he was home. In that interim, he called me Moria to do her program, Incorrectas. “It was a balm.”
Enthusiastic about the talk, the actress added: “She helped me a lot. She always says that, since I gave her name at the time so that she could do a comedy with Bruges, nobility obliges, she gave me a hand to live. Because at that moment, I needed to get out.” from my house. Not to walk but to get some air and work. So, we were in America and since I live near the channel, the hours I was going to do the program were a balm: getting to the channel, chatting with other people, doing my hair, doing my makeup. “.
