The problem that Gabriel Usandivaras posed when expressing his controversy with José María Muscari It is that of many artists, since they injured their body during a performance, but in their opinion they did not have adequate work risk coverage.
“On February 1st, In the middle of a Sex show I tore the meniscus of a knee that I had half injured.. “I finished the performance in tremendous pain, as far as I could,” he recalled in a note with Show Partnersin which he revealed that he covered the expenses resulting from the accident himself.
“The next day I had to start studying, I found out that I had to have surgery, and I no longer had any connection. They take it as work done, work in connection. So not having dancer services to provide, they have no responsibilities to bear,” she lamented.
“Not having dancer services to provide, they have no responsibilities to bear.”
“I don’t think it’s just a matter of the production of Sex, I think it’s also something within the industry about how they treat dancers. We work with our body, the fact that a production does not have an ART to take care of our work tool speaks of the vulnerable place of the dancers”.
JOSÉ MARÍA MUSCARI’S RESPONSE TO GABO USANDIVARAS
For his part, the producer of Sex disassociated himself: “I am very sorry that you had a complication. I know that It’s something that dragged from many years ago, It was an accident he had on ShowMatch and it is public knowledge.”
Then, José María Muscari expressed: “This profession is exposed to that all the time”.
“We have everything that theater cooperatives have. Of course We cannot have the care that we could have in a multinationalbecause theater, despite sometimes being a success, is still an artisanal fact,” Muscari concluded about the testimony of Gabo Usandivaras.
