Photos: Cine Holguín Facebook page and taken from the Internet
The Traveling group that takes place in these Pilgrims, within the Cámara Azul space, had a new presentation this Sunday.
Several audiovisual materials were projected at the Las Tres Lucía café, among which the documentaries “Every Day is March 8”, “The Lost Child” and “Life is a Dream” stand out.
The first was directed by Lizette Vila, Sergio Cabrera and Ingrid León. Its presentation was led by Humberto Mayol, director of photography for Proyecto Palomas.
Documentary: “Every day is March 8th.”
This documentary won the Young Jury Prize for Best Short Film during the Gibara International Film Festival. Twenty-three women joined the audiovisual production that has been a joint initiative between the Palomas Project and CARE in Cuba with financing from the Canadian Embassy in Cuba, Humberto said.
It is an audiovisual where Cuban women denounce and advocate for the resolution of the social problems that they suffer today, from an eminently critical perspective, thus demonstrating that the fight against racism, gender violence and the ineffective actions of some institutions, continues. foot.
The child, statuette found in Trinidad.
For its part, “The Lost Child”, directed by Yasmani Castro, is a material that demonstrates the effectiveness of artificial intelligence to create. It demonstrates the power of faith and the permanence of love, given the history of worship towards a tiny statuette of just five centimeters to which miraculous properties are attributed and is known as “the lost child” in Trinidad.
“Life is a dream”, a short documentary by the young director Arlety Veunes, is a tribute to Arsenio Rodríguez. In the work it is possible to appreciate the tragedies of this composer, from Güira de Macurijes, which in some way made him better at his art. After being blinded as a result of being kicked by a mule, he played the tres like no one else, new sounds came that in addition to transforming the son, enriched the bolero, the guaracha and gave way to the emergence of the mambo.
This work, whose title is a song by Arsenio himself, was the winner of the award for best documentary made by a young collective at the 21st edition of the Santiago Álvarez in Memoriam International Documentary Festival. It is worth highlighting the notable mastery of narrative and visual resources by the director, who manages to effectively convey the history and influence of Arsenio Rodríguez on Cuban music.
The meeting at Las tres Lucía was also conducive to launching a call for the XXI Jornada de Cine Andante, a community audiovisual promotion event, held annually by the Hermanos Saíz Association and the Provincial Film Center in Guantánamo.
Author: Editorial now!
MORE ARTICLES BY THIS AUTHOR
