Barbara Lombardo He is a film, theater and television actress. He formed in action with the renowned Julio Chávez And he debuted at the cinema in 2005 with Captivea film acclaimed by its social sensitivity. His television career became popular with prominent characters in Resisted And the Roldán, then consolidating as a versatile figure in productions such as Double life, the pointer y Killer women.
In addition to his work in Argentina, he developed an international trajectory: he lived in Mexico for two and a half years, where he worked in the series XY And in the movie Bacasboth under the direction of Patricia Arriaga. Back to the country, he participated in fictions such as You are my man y The rich do not ask permission. He also explored the theater with independent proposals such as Predators.
Currently, co-produces the work Verded image that is presented every Tuesday, 20 hours, in the Astros Theater. In addition, it is in full preproduction of its first original podcast next to Spotify; and is recording the new season of the series Envious.
Pollo: – The number of characters and series or films that you made is amazing. Is this a choice, luck or did a little of everything?
Bárbara: – I don’t know if I was lucky, I don’t know how to explain it, but thanks to say it. Sometimes I feel that I don’t work, but actually I work a lot. There are months that I have no work and I like to enjoy that time. But others get anxious and say: “I want to work more.” I was always in very good projects. I don’t know if it was luck or destiny, but I am happy. The Roldán, Killer Women, The Pointer, now Envious …
Chicken: – How do you select? Because they are not all goals, I imagine.
Barbara: – No, not all. There are no times. I took a risk several times. I remember once I was going to star in a movie, I was good for silver because I was not covered with work. I said: “Well, I’m going to do the rehearsals” and in the end I felt that I was not going to be fine, so I got off.
Chicken: – Are you to feel those things, how does the body tell you?
Barbara: – Yes, definitely. I love what I do, but I think about it. At first I doubt, I read two minutes and then say: “Yes, that’s it.”
Chicken: – And why did you decide to go to another country at a good time in your career?
Barbara: – I liked to travel. I started doing it as a girl for work, I went to present films. Going to a completely unknown place that I liked, it seemed addictive. Now I am calmer and I already saved that. I went to Mexico, to San Francisco, to Los Angeles, I go and go, but I am calmer. But at 20 years all that was successful.
Chicken: – How many years were you in Mexico?
Bárbara: – Almost three years.
Chicken: – Did you record there?
Barbara: – I did three projects in Mexico.
Chicken: – Do you know you if you walk down the street in Mexico City?
Barbara: – Not as much as here. But it happens to me that I was in Hiterian programs. I was in I am your fan two, which is a production of Fonzi Dolores con Coca Novick. They stop me a lot from the street because that program has a huge fandom and now with Sir influencerwhich is a film in Mexico where I play a Health Coach of social networks that is perfect for me, and it was a tremendous success. But they recognize me.
Chicken: – Tell me a little about Verded image.
Bárbara: – It is a play that I am producing. It is a work of Santiago Governori that had released last September. It was very new and invited the people of the Astros theater who had to decide what to present, they loved the work and we premiered on January 14 and we are going quite well. It is presented every Tuesday at 8:00 p.m. I love the cast, they are spectacular Under stars. What I wanted was to take another work from Off to Corrientes Street. There is an audience that is very faithful to Corrientes street and that may not go to Guevara’s shed to see a work.
Chicken: – It is a different audience.
Barbara: – Yes, it seems that there is a difference, but now there is a new phenomenon that is that this is being integrated. Then we see the works of the Marull, Soft of Cami Peraltawhich passed from off to a currents room and is happening. That is why there is also a larger flexibility. And I took advantage of that little port …
Chicken: – Is it true that you were a neighbor of Xuxa?
Barbara: —I, I was Xuxa’s vecin.
Chicken: “Did you worked with Xuxa?”
Bárbara: “No.”
Chicken: “How did you be in your show?”
Bárbara: “I wanted to enter the show.” There was something of that world that seemed spectacular because there were no children’s programs like that. when I was a child, they were all calmer. This was lights, colors, music, boots and tracecitos (laughs). It was talking about nature, because it was one of the first people who talked about nature care and environmental care. And I managed to enter and for me it was impressive.
Chicken: “But how did you achieve?”
Bárbara: —Do caraura. When I was in fifth grade and went with my aunt. I found out where the study is because there was no internet, there was no Google. They had to gossip where the study was. And they tell me: “Pavón 244 ″. I tell my you:” Please, let’s go “and it took me.
Chicken: —What trust and patience the aunt …
Bárbara: “We fell and was full of people.” It was a recital like now in streams. Thousands of people formed. I remember that I saw a security boy behind the fences and I said: “This is the one will let me in.” And so I went to people. Absolute trust of Nena. When I arrived in the first place I greeted him. And the boy caused grace and laughed at me. I was with the face of: Porfi, let me in. And he told me: Who are you with? And I showed my aunt. Do you have tickets? He tells me and I didn’t have. They spent hours, I don’t know, three or four and we stop there. In a moment some guests arrive and open the fence. And he tells me: “Give him, give him, give him.” And I passed …
Chicken: – A beautiful moment when they let you pass somewhere.
Barbara: “I agree as if I were entering now.” It was a before and after my life because I entered the program and hid behind a speaker because I didn’t want to go with the boys. I wanted to see, I didn’t want to be there playing and be part. I wanted to see everything. And I remember that I began to cry. I saw her, she saw me and grabbed my hand. I was the whole program with her and I gave me the famous Marquita who was like an award that gave you at the end of the program and for me it was like I did. I achieved that great desire and it was incredible. And six or seven months later I find out that he comes to live around my house.
Chicken: “It is very flashman.”
Bárbara: “Very flashman!” It is a script. I have it written. I want to make a movie. For me were my first artistic godmothers: Xuxa y Marlene Mattos (Director and Producer, known by the Xuxa show) They adopted me and told me: “You are going to be an actress.” I changed my life.
Chicken: – That’s incredible, a movie story.
Bárbara: – In fact, they learned to my 20 years when I stayed as the protagonist of my first film, Captive. They find out for friends in common, they called me, they invited me to river and sent me to clean the complexion (laughs). They told me: “We knew you were going to dedicate yourself to the artistic world. We want to take you to Xu’s dermatologist so you can have pretty skin, you are prepared for your first movie,” godmother. I adore them. Apart they love Argentina too. It is a country that gave them a lot. With Marlene I still contact Xuxa not so much, but I love her very much and I wish her the best of life.
Chicken: – Are you a couple?
Bárbara: – Yes, almost two and a half years ago.
Chicken: – Are you still fundamentalist of “no coexistence”?
Barbara: – No, I don’t say never living. I have lived, but now I prefer not to live. It also gives me illusion to live. Not that I say no. It seems to me that you have to get the pressure and you have to value a lot what happens at the time and not necessarily go one thing behind another, which is something very compulsive that humans have. That thing I am a girlfriend, we live, we have a child, then another son and that. I feel that it is fine not to live so hurriedly.
Chicken: – What is the fundamental rule in your partner? If there is.
Barbara: – Absolute trust. Nothing is so serious and everything is spoken. Everything is talking even though it hurts. And neither is it as long as things. If you have to tell me something, you tell me and if not, nothing happens. I left, I traveled. Healthy, honest and very confidence relationship.
Chicken: – I loved it. Who would you like to work with the future with?
Barbara: – I don’t know who, but I’m dying to do something physical, such as interpreting a police or detective. Let me tell me: “You have to train, learn to shoot, run, jump” and those things. I am wanting to put the body more. Something suspense, a policeman, something different. When they tell you: “You have to train four months, five times a week to the gym.” “Give him, I’m,” would be my answer.
The driver invited the actress to buy everything she wants by placing a suitcase full of dollars on the table. The only requirement is that you cannot donate or be saved as savings.
Chicken: “What would you buy?”
Barbara: “With 400, I would buy something in nature.” I would build a little house.
Chicken: “Where will this be?”
Barbara: “I would like to have a place in nature with a lot of tree, with sustainable energy.”
Chicken: “The south, for example?”
Bárbara: “More close.” Yes, closer. I don’t know where, but I can have a space where it can be a shelter for me and my loved ones. Have something where you eventually spend more time.
Chicken: “They are 600 thousand.”
Barbara: “With 300 I would buy a department.”
Chicken: “Do you have any particular area that you like?”
Bárbara: “Vicente López, Chacarita, Caghlan …
Chicken: “You owner?”
Bárbara: “No.” It would be to live.
Chicken: “They are 300,000.”
Bárbara: –30 would use it to give me tastes. A trip …
Chicken: “Something especially?”
Bárbara: “I would go, for example.” I have many friends in Spain and in Europe. I would like to be in Mallorca, Ibiza, Formentera. It would also go somewhere old, as nothing to do with our culture. A historical place.
Chicken: “Blood?” In Spain.
Bárbara: “Yes, from Morocco to Stonehenge.” In England or I don’t know. I went to Egypt a few years ago and seemed spectacular. There is a place called Bután, which is closed to the public and you have to pay a lot to access. You have to write down, have a visa and pay per day to be there. There is everything that is Tibetan Buddhism as very in perfect condition. There is something of ancient art that fascinates me.
Chicken: “And with the 270 remaining?” What would you do?
Barbara: “I would invest in something that I give me.”
