The director of Of caravan, Three, All the time in the world, Maturity, Own house y Now and always It returns 15 years later to the world of the Cordoba quartet although with a change of registration and gender. After his recent step by the Argentine Bafici competition, he premieres in 30 rooms.
Premiere 04/24/2025
Published on 04/22/2025
The left (Argentina/2025). Address: Rosendo Ruiz. Screenplay: Rosendo Ruiz and Alejandro Cozza. Cast: Juan Cruz el Gáname, Marcio Salas Ramses, Micaela Abdulatif, Alejandro Orlando and María José Sorbello. Photography: Pablo González Galetto. Edition: Lucía Torres Minoldo. Art address: Julia Pesce. Sound: Patricio Tosco. Music: Monada. Production: Inés Moyano, Daniel Lambrisca and Marcos Mion. Duration: 85 minutes. Salas (first week): Gaumont Cinema (Sala 2), at 12:15, 16:15 and 20:20; Cinemark Puerto Madero, Atlas Flores, Hoyts Unicenter, Hoyts Quilmes, Hoyts Rosario, Hoyts Patio Olmo de Córdoba, Hoyts Nuevo Centro de Córdoba, Cinemacenter Rivera Indarte de Córdoba, Cinemacenter San Juan, Grand Rex de Córdoba, Showcase Norcenter, Showcase Haedo, Showcase Córdoba, Cinépolis Avellaneda and Cinépolis Mendoza. INCAA Spaces: Cine Theater Helios (El Palomar), Cinema Municipal Theater Quilmes, Italian Theater Cine (Villa Regina), José Fernández Sala (Caleta Olivia), Cineia Talia (Puerto San Julián and Multiespacio Select (Commander Luis Piedrabuena).
15 years ago an audiovisual pole that made provincial production one of the most interesting, varied and bulky throughout the country emerged in Córdoba. One of the first referents of that wave was, however, a San Juan, although Cordoba by adoption. This is Rosendo Ruiz, who with Of caravanrecognized with the public prize at the Mar del Plata Festival, the doors of the festivals opened to the so -called Cordoba cinema.
Of caravan Cover with the surface of a police/romantic comedy, a night story crossed by class conflicts and tensions. The left Rehearse a similar camouflage maneuver by the universal to the particular, this time through a drama of musical ascent about a young man who dreams of being a quartet singer to whom the opportunity reaches just when he is entangled in a police case.
The boy is told by Jonatan, with whom he has a band. Jonatan, in turn, goes out with the daughter of a politician who does social work in the humble neighborhood where they live. They are poor and morochos, the perfect archetype for the police to indicate them as main accused of a crime that not only did not commit, but were very close to being victims.
As was the case with Own houseon a man of more than 40 years who could not move due to economic difficulties, The left Its protagonists have two characters that do not seem, since they carry a plausible plausible imprint, as if they were late remedies of the best stage of José Celestino Campusano cinema and with better acting training.
Beyond some slopes in his second half, when an important artist representative enters, the truth is that Ruiz demonstrates here to be a filmmaker worried about both the cinema universe and the way that world works as a detachment of the real.
