Yellowjackets His key season began in February of this year. It has rained a lot since the broadcast of the last chapter of the previous one, in May 2023. But also, it turns out that the second season of this Showtime series, which in Spain can be seen on the platform of that company and in Movistar Plus+, did not solve almost any of the great intrigues of the series. And, for more inri, he lost one of his most attractive characters, saying goodbye to the murky magnetism of a fantastic Juliette Lewis.
The main challenge was raise the moral of the spectator With a season that opted for Solve doubts Instead of continuing to pay the mystery path, so as not to generate frustration or fall into the game of curling the curl. In the light of events, it can be said that it achieves it but only in part. The great contrast of this season is that what works very well, but what is not … is increasingly naked and lacking dramatic weight.
What began as The history of the survivors of a team from a New Jersey Institute that suffers a plane accident While the gigantic forests of Canada flown, it is today A thriller with supernatural touches and a pinch of effective and desperate black comedy in equal parts. Viewed audience data in the United States, and the waiting for a plausible renewal for a fourth season, the four -handed series by Ashley Lyle y Bart Nickerson You must decide what you want to be.
The struggle for the story: The most interesting of ‘Yellowjackets’
Yellowjackets It is narrated in Two temporal lines. One follows the adventures of young teenagers fighting for survival of a nature as terrifying as beautiful – precisely for the same reason. The other is placed25 years after the accidentand connects the lives of the survivors in their Trauma managementtheir daily tribulations, their family secrets and the emotional chaos that underlies its apparently peaceful life.
The Narrative Pugna Among the two worldviews that present us with each character, so far, the great fort of Yellowjackets. Each temporal line not only develops the personality of the protagonists, it also raises their own dramas outside the great mystery – the donut hole – how adolescents returned home. At times, in fact, it is genuinely brilliant how to dialogue the development of a adolescent version of one of its protagonists in the opposite direction of its adult version.
In his twisted exemplary lesson of the art of assembly, Yellowjackets It has something deeply human: it feeds on contradictions and lies that we tell ourselves to continue standing. Hurt in the wound of the soul of each of their soccer players, to offer the best and the worst, without leaving anything. Melanie Lynskey, Christina Ricci o Lauren Ambrose They do not dull their teenage versions performed by Sophie Nélisse, Samantha Hanratty o Liv Hewson. No vice versa: everything fits even when I should not do it.
Yellowjackets thus raises a wonderful, although terrifying, REFLECTION ON TRAUMS Overcomingthe dark and intelligent way that we have to present ourselves in society as one thing and house inside another, the subterfuges of the mind to rebuild the past itself and, in short, to give meaning to purely inertial stocks. And he does it through Terror language With punctual leaks, which in this season are more present than ever, towards black humor.
An unlimited season but with answers
Karyn Kusamathe director of the great Jennifer’s Body o The invitationhe signed not only the pilot Yellowjacketssitting in a way the aesthetic bases of the story, also the last of the second. The chapter, masterfully entitled as Storyteller “Leaning on how the characters tell themselves,” I came to close a stage even if we did not know. In this third season Nothing stands out especially in the formalnot even when he needs it most, as is the case with his finale directed by the coguionist of the entire series, Bart Nickerson.
Either in The narrative We have much to applaud. For the character of the character of Simone Kessellthe resolution of the plot of Sarah Desjardins or the destinations of Lauren Ambrose, Elijah Wood o Steven Kruegerit would be said that the scriptwriters did not know what to do with so much casting – all performances more than worthy, it can be said. Committed to open Subtramas and give relevance to characters who had been a zero to the left so far – as is the case of the blushing contribution of the Oscarized Hilary Swank To the season -, Ashley Lyle and Bart Nickerson deliver the most denote season of the series to date.
And yet the feeling of satisfaction for the connection that establishes the end of what was broadcast so far with the first season is palpable. The resolution of some of the biggest questions that atosige the script offers a respite, the idea of a plan. And that reassures the viewer and closes a stage for many of the main characters, especially for Shauna and for Natalie’s young version Interpreted by a fantastic Sophie Thatcher – Without a doubt the best of the forgettable but enjoyable The companion de Drew Hancock–.
The anecdotal and clearly humorous of the first sign of humanity outside the survivors in the past, how easy their most disturbing images, as well as the climax of the encapsulated season in His last two episodes –Spononable from April 19 and 23 at Movistar Plus+– It offers great moments. Some of them really inspired. And yes: open the door to a specified hope that this series may not have yet given its chest.
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