An architect designed his house, linked to the environment and with one module per environment

An architect designed his house, linked to the environment and with one module per environment
An architect designed his house, linked to the environment and with one module per environment

June 4, 202400:30

Hear

The flat lot caught the attention of architect Tulio Rossini and his wife, Sofia Papa: the surface allowed them to build the house they wanted for their children. “In this place of mountains, finding that extension was a rarity, but it appeared, and it is also surrounded by forest,” says Rossini. It was the second home they built for their family in San Martín de los Andes. When drawing up the project, they did not hesitate: They wanted to make the most of the environment.

Architect Tulio Rossini, in charge of the project and owner of the house

The architect Tulio Rossini at the entrance, with iron steps. The double tinted windows shade the reflection of the snow towards the interior of the house. In addition, as it has a mirrored exterior, the windows show the forest.Mariana Pardal

To cope with the weather and the wear and tear it can cause, The architect chose stone and sheet metal for the exterior, durable and low-maintenance materials. “Wood is used a lot in the area, but we prefer to build with those advantages thinking about the long term,” he says. In addition, a trip gave them the inspiration in Nordic design that they sought for the development, which lasted 1 year and 3 months.

The outer sheet is white, to generate less impact with the snowy landscape that accompanies them for several months. The walls have a detail of zingueria for protection from snow and rain. ‘Pipolin’ travertine stone. Mariana Pardal

Ceiling and walls covered in eucalyptus wood. The hearth is a single piece of oxidized natural stone (Arch. Tulio Rossini). Armchairs upholstered in green washable corduroy.
Mariana Pardal

This arrangement also allowed them to make social, play and rest spaces independent. “Our previous house was all integrated, but now we decided to separate the programs the kitchen from the living-dining room and the children’s play area, and also move the bedrooms away. Thus, each situation has greater independence”, says the architect. Each module houses a room, with a hallway that connects them, and floor-to-ceiling windows “to bring nature closer, since during the long winters we spend a lot of time inside,” he explains.

Microcement table (Arq. Tulio Rossini), ‘Venecia’ chairs (Malor). Placemats woven in cotton thread and plates (Alma Nómade Deco).Mariana Pardal

Floating beech countertops and shelves, black MDF furniture (Arq. Tulio Rossini). Pellín oak frame. The side door leads directly to the garden.Mariana Pardal

“The kitchen is the environment we use the most,” Tulio says without hesitation. Combination of island with stove and huge table, there they cook, share meals and play with the kids.

Sofia with her daughter. Neolith ‘Quarzo’ island-table (Arq. Tulio Rossini) with integrated cooktop. Pots (Lafont). ‘Tolix’ chairs. Pendant lamps (Mercado Libre).Mariana Pardal

The hallways – also lined with eucalyptus – have characteristic hidden storage spaces. White painted iron doors.Mariana Pardal

Bed with tussor padding, gray pillows with inscription (all from Ganga Home), woven ‘Rococó’ pillows and openwork rustic blanket (all from Alma Nómade Deco).
Mariana Pardal

En-suite bathroom with Neolith ‘Quarzo’ countertop with integrated sink, beech vanity (all made by Rossini) and microcement walls. Mariana Pardal

“For the winter we have underfloor heating, while during the summer we have cross ventilation, something designed in all rooms,” says the architect. The entire floor of the house is made of white microcement, “friendly to the touch to enjoy the radiant floor,” he says.

Montessori transitional bed (Mercado Libre), anti-shock mat (Carestino).
Mariana Pardal

Although the modules repeat the design throughout the house, the dimensions change: the living room is the largest while the bedrooms are smaller.

In the boys’ bathroom they repeated materials, but the countertop is lower so that it is more comfortable for them.Mariana Pardal

While the entire house is on one floor, Tulio located his studio on the upper floor: “It is an autonomous place, with everything I may need while I work,” he explains. He even came up with a small kitchen with doors so it could be hidden away if not in use.

Smoothed microcement staircase, eucalyptus walls and ceiling.Mariana Pardal

Wooden desk with white microcement finish (Arq. Tulio Rossini). On the lintel, he designed an interior grille that acts as a parasol.Mariana Pardal

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