In a unique tribute to its founder, Gabrielle Chanelwho designed the ballet costumes The Blue Train (1924) and Apollon Musagete (1928), tutus and Pierrot details dot throughout this fall-winter 2024/2025 haute couture collection. With Vittoria Ceretti At the head, the models discovered silhouettes of impeccable sophistication, which danced to the rhythm of their movements, in airy fabrics and cuts. The volumes, reinvented and dramatic, they proposed a new attraction that conquers and empowers. Collection after collection, Chanel’s creations confirm her timelessness and outline a look against the grain of ephemeral desires.
Acielle StyleDuMonde
Far from being mere stage outfits, the entire operatic universe had its place. Tassels, braids, rhinestones, feathers, taffeta and duchess satin They set the tone for a collection for big evenings, while the long opera capes take us straight back to the 1920s. Every minute detail seeks to capture the light on a calm and warm palette: black, silver, ivory and some variations of pink.
Acielle StyleDuMonde
Acielle StyleDuMonde
The embroidery attests to the know-how and noble tradition that Chanel brilliantly perpetuates, in particular giving new life to the tweed and evening dresses, essential codes of the Chanel wardrobe. The bow remains a central element. Embroidered in multitude on a black coat, surrounding the waist or finishing the models’ bows, it was one of the hallmarks of the house and a bridge between classicism and modernity.
