Enrique Bunbury has just published his new studio album, ‘Pending Accounts’. A collection of ten songs recorded in Mexico that the Zaragoza singer is promoting in Spain in the prelude to start the concert tour in June. Interviews and meetings in which you are giving interesting details and memories.
On September 13, the Aragonese artist will perform at the Movistar Arena in Madrid With all the paper sold well in advance and that is why he has stoned in the podcast of said enclosure. A program presented by Paz Aparicio in which Bunbury has answered a multitude of issues.
One of the most emotional was when he asked about his referents in music. An answer that started with a general plan: “I have many referents. The first thing is to listen to my colleagues. I also listen to my elders and those who come behind. I attend to all of them. They are all my teachers, even people who grew up listening to me. ”
But, then, Bunbury, pure feeling, has extolled another Illustrious Zaragozano, Santiago Auserón. “I have always named him as a key artist who made me open my eyes in many ways. It was a new way of singing in Spanish music “, He said.
A passion that was born with the emergence of Radio Futura, whom Bunbury saw live in the Aragonese capital. “I saw them very soon from their career in Zaragoza. I think they had not yet taken out the second album, which was the transition between ‘modern music’ and ‘the law of the sea, the law of the desert’. I was already superfan. I was a fan since I heard a song entitled ‘Interferences’, which was face B of ‘Divina’, of the first album. Then I have followed him in everything he has done, “he continued.
At this point, Bunbury presented his complete admiration before Auserón’s decision not to return with Radio Futura: “I find it admirable from Santiago his firmness in his opinion of not gathering Radio Futura because he has a series of internal needs that go for another place. That head of the face of facing everything that tells you what you should do. The easy thing for Santiago as a soloist would have been to join with Radio Futura. “
And thus riveted the argument: “You can understand with the radical positions that Manu Chao (with Black Mano) or Santiago Auserón can take, which go against the wishes of the fans. But they seem admirable to me because they are firm postures based on ideas that have developed And they thought a lot about their careers and to be consistent with their thinking, contrary to what dictates everything. I can only applaud them. “
