We spent a lot of months imagining what the relationship between Colin and Penelope would be like. We even thought about whether the fact that the young woman was Lady Whistledown would destroy their relationship, since we already know that Netflix makes changes with respect to Julia Quinn’s books, so any possibility was feasible. Luckily, everything went well and the characters had a happy ending in which Penelope did not lose her freedom, nor the pen with which she will continue to tell all of Mayfair’s ‘sauces’ ahead of season 4 of ‘The Bridgertons’. ‘.
To the joy of the followers, Netflix had the detail of giving us some images of the future and we discovered some details of what will happen to the protagonists. However, not everything is good news, as it seems that the next batch will take longer than expected. Jess Brownell, ‘showrunner’ of the series, confirmed in an interview with The Hollywood Reporter that, unfortunately, the next episodes would not reach our screens until 2026. “We are working to try to get the seasons out faster, but they take eight months to film.” , then you have to edit and dub them. And writing also takes a long time, so we go at a two-year pace.” You will have to be patient and continue reliving some of the most unforgettable situations seen in this last round.
In these episodes we hallucinate with that great moment experienced by Pe and Colin in the carriage and in front of the mirror and we feel tachycardia when Colin Bridgerton discovered his fiancée’s true secret. These might have been Luke Newton’s favorite sequences, but no. The actor has confessed that moment that will remain forever in his heart and that also coincides with that of many fans.
It’s about the wedding breakfast dance between his character and Pe. “Tom Verica, our director, had this beautiful idea. He filmed us dancing in a room full of people and then it cut to another scene where it was just the two of us dancing. It was an incredible moment doing that dance that we had been preparing for months, being in a room empty, with just a couple of cameras and no one else. They turned the music on at full volume and we just danced, putting the finishing touch to our whole story. It was a great moment and, besides, it was the first time we saw something of what we did. We had filmed. We went to the viewing area and saw the whole shot. We couldn’t agree more, because those seconds of complicity will be unrepeatable.
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Marieta Taibó is current affairs and culture editor at Cosmopolitan and a film and television series expert for more than a decade. When she’s not writing, you’ll find her in front of the screen analyzing the latest releases from Netflix, Prime Video, HBO Max, Disney+ and the rest of the streaming platforms to recommend those interesting or killer titles. Between criticism and television fiction news, interviews with actors. In his recorder you will find talks from his interviews with Blanca Suárez, Mario Casas, Úrsula Corberó, Ana de Armas, Miguel Ángel Silvestre, Leonardo Sbaraglia, Lily Collins, yes, ‘Emily in Paris’ or Christina Hendricks, the redhead from ‘Mad Men’ , to name a few names. Off screen, in addition, she will recommend the best leisure and gastronomic plans. In other professional stages, she has also written about fashion and beauty. In fact, she is the author of the essay ‘The secret face of the beauty business’, from the Almuzara publishing house. Marieta Taibo has a degree in journalism from the Complutense University of Madrid and has a Higher Course in Fashion and Luxury Marketing and Communication from Elle magazine and the Complutense University. Her first steps as an editor were in the economics section of La Clave current affairs magazine until she made the leap to society and culture, her true passion. Later, she worked at El Confidencial, and then at the women’s magazine AR as coordinator of the cultural agenda and head of the film section. From there, she made the jump to the magazines Supertele and TP and spent ten years there writing about films and series, work that she combined as a contributor to Babylon Magazine doing in-depth reports on culture, until she arrived at Cosmopolitan six years ago.
