Where will they locate it and why?

The portrait made by Leonardo Da Vinci has been located in the Louvre Museum since 1804. The authorities are considering moving it for a particular purpose.

The painting of La Gioconda, popularly known as the Mona Lisais located in the Louvre Museum, in Paris and receives around 10 million people per year. The portrait is located in the establishment since 1804but now they are evaluating the possibility of transferring it.

The content you want to access is exclusive to subscribers.

to subscribe I am already subscribed

The Parisian museum received the portrait of Lisa del Goicondawhich was made by Leonardo da Vinci in the time of Renaissance, between 1503 and 1506, and they never managed to determine the truth about its origin.

Mona Lisa.jpg

The Mona Lisa was made by Leonardo da Vinci, between 1503 and 1506.

The Mona Lisa was made by Leonardo da Vinci, between 1503 and 1506.

In 1619, Leonardo Da Vinci died and his custody It came into the hands of his disciple, Salai. Later, the person who had the Mona Lisa in his possession was the King Francis I of France. Then, during the reign of Louis XIV, she was transferred to the Palace of Versailles.

It is currently in the Louvre Museumwhere he receives millions of people who come to the place with the aim of seeing the portrait.

Laurence des Carsdirector of the Parisian museum, said that they have received many complaints from visitors because the distance is far and the space is small to observe La Gioconda, which causes people to accumulate in that place.

“Visitors are not received properly in the current room, so we feel that we are not doing our job properly”he said.

In this way, to provide a better service to those who go to see the work, they decided to move it to a room in the museum’s basement. “It’s a big room and the Mona Lisa is in the back, behind safety glass, so at first glance it looks like a postage stamp.”Delieuvin confirmed.

 
For Latest Updates Follow us on Google News
 

-

PREV The Fine Arts programs five exhibitions with Tàpies and Asturian artists while awaiting the imminent start of the final phase of the expansion
NEXT The Evolution of Restoration: From the Sistine Chapel to Delacroix’s “Liberty Leading the People”