In mid-March, the actress Magdalena Max-Neef made some controversial statements who earned the questioning of their guild mates. She assured that lThe actors “we are the most crybabies there are” in a conversation on Radio Futuro.
“I believe that culture is very important, but I also feel that eventually there are priorities. I believe that theater is also part of education. Now, when one’s colleagues cry, we are the biggest crybabies there are”, he acknowledged.
“We are crying all the time. There are some people who win the Fondart five years in a row, don’t win it one year and begin to allege that ‘the government does not support culture,'” declared the actress.
“The government has not sponsored me anything“I have not received a single thing from the Boric government, nor from Bachelet nor from Piñera nor from anyone else,” Max-Neef launched.
“Maybe it’s not just the pure actors…”
The actress will be one of the guests of the new episode of the Chilevisión star, “We can talk”, where she was consulted about these sayings by Julio César Rodriguez. “Hey, you don’t know how they inflated me when I said that the actors were crybabies.”, he began revealing.
“Maybe it’s not just the pure actors, maybe it’s all Chileans like that, but since I’m in that union… Actors complain, they are always complaining: they complain because they have no problem; When they have a problem, they complain about the problem’s schedule.. When they are filming a soap opera, they complain because they have to wait a long time, because the character is lame, because of the costumes, etc.,” she listed.
“Look, I promise you that I have not seen people complain more.then now it is a learning experience, because you suddenly come home and say ‘I can’t be complaining so much’. It’s not that I’m outside of that, I and my friend Pepi (Josefina Velasco) have a therapy to not complain in front of people. Then we got together, between the two of us we talked purely politically incorrect things and then uff, relaxed, so we didn’t complain anymore,” said Magdalena Max-Neef.
