Blanca Lewin responded to Magdalena Max Neef’s criticism against the actors’ union: “These are not amounts to live on”

Blanca Lewin responded to Magdalena Max Neef’s criticism against the actors’ union: “These are not amounts to live on”
Blanca Lewin responded to Magdalena Max Neef’s criticism against the actors’ union: “These are not amounts to live on”

After Magdalena Max Neef classified her colleagues as “crybabies”, Blanca Lewin broke the silence and referred to the controversial phrase, reflecting on the problems facing the acting union.

Blanca Lewin recently referred to the criticism issued by her colleague Magdalena Max Neef and contradicted her position, ruling out that the actors guild “are crybabies”.

To understand this controversy, it is worth remembering that Magdalena Max Neef spoke in harsh terms regarding the actors guild who raised their voices in the face of the little economic support received; sayings that caused great controversy.

In an interview with Future Radiothe actress faced the questions raised by her colleagues against the Ministry of Cultures, Arts and Heritage, ensuring that “we are the biggest crybabies there are. We are crying all the time“.

“There are some people who win the Fondart five years in a row, They don’t earn it for a year and they start alleging that the government does not support culture,” he commented.

Actors responded to harsh criticism

Magdalena Max Neef’s sayings did not go unnoticed. Daniel Alcaíno was one of the first to confront the words of his colleague, alleging that “it has been very difficult for the priority to be on culture.”

For its part, Blanca Lewin He also raised his voice in the face of criticism and contradicted Max Neef’s position: “This is not a desire to cry“I don’t think that artists who complain about these things are crybabies.”

In interview with Thirdthe actress stated that they keep fighting despite everything: “Despite the precariousness, we are a strong scene that continues to produce things even though we only have one weekend of performances and we have to rehearse for three months.”

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“When people come out to ask for support and everything, It’s not that they are whining and playing the victim. (…) because we are all working very hard,” he argued.

Regarding the Fondart allocations, Lewin pointed out that “it is quite a lottery. We continue with our super precarious work“We are temporary workers.”

“There are not too many resources that are distributed. The amounts assigned They are not amounts to live in peace. In the end, you’re there juggling,” she noted.

 
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