Hear
“My dream has come true thanks to you”hill Fatima Florez minutes before zero hours its debut at Luna Park, which was (more – less) at 80 percent of its capacity. Four hours before, the line at the ticket office located on the corner of Corrientes and Madero was full of people who did not want to miss the show that during the summer was one of the most watched in Mar del Plata. Couples, groups of friends and even families with children were preparing for a great night in which the tension was on whether or not Javier Milei would talk about his ex-partner. The artist did not disappoint and although in her characters There were almost no winks to the president, towards the end of the night he not only imitated the President, but also Cristina Fernández de Kirchner that in his character he flirted with the idea of entering Big Brother “because it should be similar to the domiciliary one.” In addition to making a dozen of international singers and “a la carte imitations”, she tried to play a journalist and praised a news anchor who was present..
Delays through, Fatima 100% It began at 9:40 p.m. not with the hostess on stage but with Pablo Lescano that made everyone get up from their seats with the topic “You will miss me”. Wearing gold pants and a T-shirt that read “I love you but I’m a bard,” the comedian entered and intoned: “But it was a mistake, giving my heart…” “Say it Fatima, say it! The leader of Free Ladies asked and after almost a minute of suspense, she finished (perhaps thinking of someone in particular): “To those who didn’t deserve it.”.
“Do you want characters?” asked someone who had had to cancel his shows in Salta and Tucumán a week ago, and immediately received the obvious and unanimous response from the public. Running to change, the malambo group Pampas Bravas He amazed with his exploits with the bocadoras to allow him time to become the stars that came later. During the first part of the show Eugenia – that is her real name – she showed that in addition to being a great imitator, she is a great dancer and singer. She thus gave rise to great women of international music from different eras such as Cher, Taylor Swift, Tina Turner and Madonna. Minutes before being on stage, she had provided a note to TN in which she was precisely wearing the queen of pop’s outfit and had referred to her breakup with the President: “It wasn’t a surprise, people were more surprised. that I. We are people with a lot of work and commitment, each one doing their own thing with such a task. Surely his is much more difficult.”
After a brief interruption of Marcelo Polino in which he told of his arrival from Tres Arroyos to Buenos Aires and what it was like to have Pipo Pescador as a father-in-law, the time came for an “imaginary trip through the Hollywood of the ’50s” with Marilyn Monroe and her “diamonds”, a painting in which Fátima of course emulated the scene of The seventh year itch in which the diva poses with her white dress blowing in the wind. She followed Liza Minneli red hot singing “New York, New York”, a song that closed in a different way, since she took off her wig and no longer with her character’s gestures, but with her own, excitedly thanking her with her arms raised.
One hundred percent like Fátima, without a costume alluding to any colleague, nor fake voices or wig, she assured that she was setting a trend for doing a show like hers in such an emblematic space, currently intended (mostly) for recitals and then the imitations arrived. to the letter. First Carmen Barbieri and with it also her first reference to Javier Milei, from whom she separated at the end of April, in the voice of the host: “I am a lioness, and she hooked herself to a lion.” Then it was the turn of Yanina Latorre, Marixa Balli and even Moria Casán, who doesn’t let them copy it. But everything went off script when he had to do Cristina Perez and in the role of the journalistthe actress couldn’t stand being serious and was tempted in more than one line, to the point of having to lower her gaze and cover her face, hazards of the job that both she and her partner Polino knew how to overcome.
In a quick change of look on stage, she arrived in light blue Mirtha Legrand and immediately Susana Gimenez. “She does it very well and she has improved it since they worked together,” Lorna told the audience that greeted her at the end of the show. As if she were the diva of the phones saying that she wears “Sil stockings… like every day”, she thanked the sponsors who accompanied her and she held raffles. One of the prizes went to journalist Claudio Rígoli, whom, surprisingly for those present, he showered with praise: “They applaud, look how they like the meat. But this man is so good, what does he do? Then he went from a Jennifer Lopez from phosphorescent green to a Michelle Jackson dressed in black, one of her favorite characters that she has admired since she was a girl and with whom she learned to dance, as she says in the tributes she has paid to him in each show for years.
But not everything is spectacle and politics had its place. Just as he had been presenting his book “Capitalism, socialism and the neoclassist trap” on May 22, Javier Milei was present again at Luna Park, although this time played by his ex. With “Panic Show” by La Renga in the background, he entered shouting “Long live fucking freedom” and once again, (“he who laughs alone at his mischief remembers” grandmothers would say), He was tempted! In the character’s voice, she referred to her conflict with Moria Casán and paraphrased the President: “Fátima is not going to imitate Moria, because Moria wants money and unfortunately… there is no money!”.
The imitation of her last ex-partner was one of the most anticipated pictures, but she decided to double down, she had a main course prepared, not only for the character, but for what she said through him. “A new participant wants to join to Big Brother“, Polino announced and then the singer arrived with a white pantsuit and a dark wig to play Cristina Fernández de Kirchner who asked if they missed her and even insulted someone in the audience who said no. “I want to enter the house in a training manner because being locked in a house for 24 hours is practically the same as being in house arrest. Just in case I’m practicing” he said, adding that he was “happy with the Milei era.”
“Since I was left without the privileges, long live fucking freedom,” he shouted and at the interruption of the voice of Big Brother He added: “Even the judges love me, if not, look at the newspaper headlines, where They say ‘Cristina is wanted by Justice’”. Amid laughter from the spectators, some of which were somewhat uncomfortable, he concluded: “I’m not going to the confessional, my lawyers told me not to confess anything. If you support me, I will give you back your faith, your hope, your joy, your money? go to hell.”
Meanwhile, among the public were Luciana Salazar with your daughter Matildahe Chato Prada also with his son, Anamá Ferreira, María Eugenia Ritó, Marisa Andino, Lisa Vera, Laura Fidalgo whom Marcelo Polino as host of Luna made uncomfortable by asking him if he was in a relationship, the lawyers Alejanadro Cipolla, Ana Rosenfeld and Mario Baudry with Verónica Ojeda, Sol Pérez, Marcela Tauro, Adriana Aguirre with your life partner, whether or not you are in a relationship Ricardo García, Pepito Cibrián, Alejandra Pradón, Alfa and Juan Alberto Mateyko, to mention a few. But also, in the seats of the legendary Buenos Aires stadium there was a couple of Swedes. “They are from Netflix and they come to make a documentary about this person (it was pointed out), they are interested in this weirdo,” He told as a scoop.
After a break that Polino gave him, which he took advantage of to remember his television career since Indiscretions to the present day through emblematic cycles such as ZAP and ShowMatch, Fátima returned, this time with a very long blonde and curly wig and with a scarf on her hips, which she moved like Shakira herself. Then, with the same golden outfit, she imitated an Argentine singer for the first time that night.Valeria Lynch. The latter was the only time she did not change her costume from character to character. In each musical piece she was accompanied by a band of live musicians and a staff of eight dancers choreographed by Aldana Pascual (former member of Nico’s tribune, 1995) who also wore a dress per song.
Like someone returning to their origins after a long journey, they said goodbye with the same song they opened the night with. “You’re going to miss me”, by Damas Gratis and without stopping dancing or singing, he merged into his companion of the night and of the season and thanked the audience, as in almost all the moments he was out of character.
