Why Rolando Barbano was booed with his Martín Fierro and what does Marina Calachó have to do with it

This Sunday, Marina Calabro fought on two fronts: that of winning the Martin Fierro for the best entertainment columnist and also show everyone that her relationship with Rolando Barbano He was on track, despite the brief separation they overcame a few weeks ago.

The first objective was amply covered when the political science graduate surpassed Marcela Taurus, Pia Shaw now the controversy Tamara Pettinato and went up to the stage, from where he a sweet dedication to Rolandowho was waiting for her at the table with her son.

Marina Calabro and Rolando Barbano.

“Personally, I want to dedicate it to my old man on Father’s Day, (…) to my old woman, before De Brito writes to me; to Iliana, who is keeping an eye on this. (…) To (my daughter) Mine (…) and I want to share it and dedicate it to my love. Yes, to you, Rolando, to you. Thank you all”Marina said in front of everyone.

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THE GESTURE OF ROLANDO BARBANO IN THE MARTÍN FIERRO TOWARDS MARINA CALABRÓ WHICH GENERATED OUTRAGE

The gesture of Rolando Barbano When Marina mentioned him on stage he was not as friendly as one would have expected, but when it was his turn to go up to receive the award for Best Police Columnist, the situation did not improve.

“For me it is very important at this moment to receive this award with my son Roccoto whom I dedicate it. I dedicate it to my daughter Nina, who is at home; to my old dear, who is surely looking at me; to my momto my sisterto my friendsalready the people of 271“He said, totally ignoring Marina, who was looking at him from the table.

City could know that, at the end, far from receiving applause from the entire auditorium Rolando Barbano He left the stage booed, and good proof of this is the surprise of the driver Fernando Dente. “They are booing him“, he said live, while Karina Mazzocco tried to hide.

Upon returning to the table, Barbano found Marine talking with Nancy Duré and Marcela Tauro about what had just happened. She sat next to her, but there was no hug like the one they gave when she arrived with the statuette at the table, just a grim gesture on her partwho, despite everything, openly explained in the room that “271″ is form in which the journalist calls her, in the style of “540” with which Javier Milei he referred Fatima Florez.

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