It’s on Prime Video and it’s a period series, with only three chapters, with a mystery plot that grabs you from the first moment.


Life in the past must not have been too easy in some aspects, considering that they did not have a lot of advances that make our lives much easier. However, we would leave our cell phone parked for a while if in exchange we could walk for a while through the palaces full of luxury, the charming gardens and wearing those beautiful dresses that its protagonists usually wear. Our fascination with period films and series is evident and now that we are waiting for the second part of the season 3 of ‘The Bridgertons’ We can’t help but fall in love with other equally interesting stories.

If a few days ago we recommend ‘The Virgin Queen’, fiction centered on the figure of Queen Elizabeth I, now we are going to turn our attention to another short period series from Prime Video with a mystery plot that captivates you from the first moment. This title has three chapters, so it is perfect to watch in an afternoon or over a weekend. We talk about ‘Death comes to Pemberley’, a production that will please those who value locations as spectacular as those of ‘Downton Abbey’, one of the best series on Netflix, and the plots with crimes, like that of ‘Agatha Christie: Killing is easy’, another great fiction that emulates the formula of the queen of suspense and is available on Movistar Plus+.

Producer / Robert Viglasky

The miniseries is based on the novel of the same name by P.S. James, which in turn was inspired by one of Jane Austen’s most relevant works: ‘Pride and Prejudice’, which also became one of the best period films. The plot takes place in 1803, six years after what happened in said work. Fitzwilliam Darcy and Elizabeth Bennet They are married and have a big ball at the Pemberley house. Lydia’s arrival is marred by the announcement of a murder among the guests and the culprit will put the Darcys’ peace of mind at risk. This event is so powerful and interesting that it keeps us in suspense. In addition, all the characters are very well developed and interpreted by their cast, which includes Matthew Rhys and Anna Maxwell Martin.

Distributor

‘Death comes to Pemberley’ It is a fantastic adaptation of the novel, something that is not always achieved and it has a good rhythm that makes it a very entertaining and beautiful series with settings that seem taken from a story or a painting. Filmed in Yorkshire and Derbyshire, one of the most curious things is that the mansion of Chatsworth House It can be visited and this way you can feel like another character in this fabulous story.

Headshot of Marieta Taibo

Marieta Taibó is current affairs and culture editor at Cosmopolitan and a film and television series expert for more than a decade. When she’s not writing, you’ll find her in front of the screen analyzing the latest releases from Netflix, Prime Video, HBO Max, Disney+ and the rest of the streaming platforms to recommend those interesting or killer titles. Between criticism and television fiction news, interviews with actors. In his recorder you will find talks from his interviews with Blanca Suárez, Mario Casas, Úrsula Corberó, Ana de Armas, Miguel Ángel Silvestre, Leonardo Sbaraglia, Lily Collins, yes, ‘Emily in Paris’ or Christina Hendricks, the redhead from ‘Mad Men’ , to name a few names. Off-screen, in addition, she will recommend the best leisure and gastronomic plans. In other professional stages, she has also written about fashion and beauty. In fact, she is the author of the essay ‘The secret face of the beauty business’, from the Almuzara publishing house. Marieta Taibo has a degree in journalism from the Complutense University of Madrid and has a Higher Course in Fashion and Luxury Marketing and Communication from Elle magazine and the Complutense University. Her first steps as an editor were in the economics section of La Clave current affairs magazine until she made the leap to society and culture, her true passion. Later, she worked at El Confidencial, and then at the women’s magazine AR as coordinator of the cultural agenda and head of the film section. From there, she made the jump to the magazines Supertele and TP and spent ten years there writing about films and series, work that she combined as a contributor to Babylon Magazine doing in-depth reports on culture, until she arrived at Cosmopolitan six years ago.

 
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