Surely many fans of ‘The Bridgertons’ They feel existential emptiness having finished the third season. It has been a very intense installment in which we have greatly enjoyed the romance between Penelope and Colin. Lady Whistledown, at last, has come to light and from now on she will be able to sign and write without hiding and with the approval of all of Mayfair and the queen. There is no doubt that the young Featherington has been the great protagonist of the last chapters, she has empowered herself and has left behind that phase in which she felt invisible.
However, now that shadow position has been adopted by another character who also had a curious alternative ending in the season 3 of ‘The Bridgertons’. We refer to Cressida Cowper, the villain and great victim of this round. Jessica Madsen, the actress who plays her, gave an interview to EW and confessed that they recorded another ending for her character. “I don’t know if she’s going to her aunt’s house because we’re not going in the carriage. So it could be that she went alone to someplace”. Let us remember that, indeed, there is no one with her and that she had asked one of her maids for help. That was exactly what we saw…
But that was not the only outcome for her, as confirmed to the same medium. Jess Brownell, ‘showrunner’ of what for many is one of the best Netflix series: “We filmed an alternative ending in which her mother gets into the carriage and chooses her daughter. It was a really beautiful moment, but in the montage Shonda and I “We talked about how it seemed like an end for Cressida. It felt like her story was coming to a close.”
If so, we would have had to say goodbye to the character and the truth is that, although many dislike him, there is no doubt that he is very useful. In fact, a pretty crazy fan theory is already circulating in which Cowper could be one of Benedict’s new romantic interests, who seems to be the protagonist of season 4 of ‘The Bridgertons’. We’ll play ‘Girl Like Whistledown’ to see if we get any interesting and juicy gossip about it.
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Marieta Taibó is current affairs and culture editor at Cosmopolitan and a film and television series expert for more than a decade. When she’s not writing, you’ll find her in front of the screen analyzing the latest releases from Netflix, Prime Video, HBO Max, Disney+ and the rest of the streaming platforms to recommend those interesting or killer titles. Between criticism and television fiction news, interviews with actors. In his recorder you will find talks from his interviews with Blanca Suárez, Mario Casas, Úrsula Corberó, Ana de Armas, Miguel Ángel Silvestre, Leonardo Sbaraglia, Lily Collins, yes, ‘Emily in Paris’ or Christina Hendricks, the redhead from ‘Mad Men’ , to name a few names. Off screen, in addition, she will recommend the best leisure and gastronomic plans. In other professional stages, she has also written about fashion and beauty. In fact, she is the author of the essay ‘The secret face of the beauty business’, from the Almuzara publishing house. Marieta Taibo has a degree in journalism from the Complutense University of Madrid and has a Higher Course in Fashion and Luxury Marketing and Communication from Elle magazine and the Complutense University. Her first steps as an editor were in the economics section of La Clave current affairs magazine until she made the leap to society and culture, her true passion. Later, she worked at El Confidencial, and then at the women’s magazine AR as coordinator of the cultural agenda and head of the film section. From there, she made the jump to the magazines Supertele and TP and spent ten years there writing about films and series, work that she combined as a contributor to Babylon Magazine doing in-depth reports on culture, until she arrived at Cosmopolitan six years ago.
