This has been Chanel’s return to Eurovision: new version of ‘SloMo’ and different choreography

This has been Chanel’s return to Eurovision: new version of ‘SloMo’ and different choreography
This has been Chanel’s return to Eurovision: new version of ‘SloMo’ and different choreography

The lights were off, the audience was relatively silent, and the stage was under a shadow that seemed to cling to the walls of the venue. Malmo Arena. A constellation of lights in the athenaeum, mobiles of those present that resembled a pulsating constellation, saw the cadence at which its bright points vibrated increased; Seconds later, a dense cloud began to emerge over the main stage, in slow motion and guarded by an army of motionless dancers, terracotta dancers. A figure stood out against the gaseous background. Chanel.

Europe saw how 68th edition of the Eurovision Song Contest He welcomed everyone present with a rhythm that might seem familiar but, in reality, was only a little familiar. SloMo, the Spanish proposal that achieved third place in 2022, a bronze that shook an entire country and that, now, sounded different. The Spanish artist, of Cuban origin, has given an explosive turn to the song that catapulted her to fame and has introduced her to the Old Continent while opening the doors of the event’s big week.

Costumes, dance and companions

There are few aspects that Chanel has decided not to touch on and that could be reduced, in general terms, to the lyrics, which remain immovable. For the rest, another script, same success: the singer left aside the costume of lights that characterized her so much and This time she appeared dressed in an electric blue bodysuit that played with transparencies and glitter to dazzle, like a hall of mirrors, an audience that couldn’t stop applauding to the beat of the song. If she once wore her hair up, now she shows it loose and with slight waves.

Different faces around him. The dancers who lifted her to the sky of Turin are not here today, they were others; from Socialite They have been advancing for weeks the reason was a confrontation whose main consequence was the distancing between the singer and her stage companions.

The truth is that they were not the same steps either: a copyright problem It would be the cause, according to the general opinion among its followers, who point to a conglomerate of reasons that mix the signing of Chanel by Sony and the creation of the choreography by Kyle Hanagami. The final result, the same one that you will show throughout your next Water! Tour.

After her, Eric Saaderepresentative of Sweden in 2011 with Popularand Foureira and his Fire, candidate of Cyprus in 2018, took the stage to make the welcome a main course. The three, accomplices, were the letter of introduction of an edition of Eurovision that already exuded greatness before it got underway.

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