Emotional roller coasters, if steep, let the adrenaline consume one’s mind. An idea like this must have often crossed the minds of Chanel Terrero, whose musical career took an unexpected leap by going, in a matter of months, from anonymity to placing third in Eurovision. Since then she has remained at the top of the national industry, surfing waves that are sometimes higher than she herself would have imagined.
It has been in The mathematics of the mirror where the singer has opened up about her feelings in the European competition, as well as the meteoric rise of her figure, aware of every leaf, every stone and every detail on her path. “When I suddenly became famous it was in an extreme, beastly way. “That for any human being is a very radical change and you have to accept it.”confesses in the aforementioned format.
His words build a story of professional strength, the story that many artists keep silent about and that, many say when they break their silence, they suffer. “My psychologist tells me many times that I am a warrior”he expresses, making the message of his argument brief: “A head is not prepared for an avalanche, for both the bad and the good.”
About Benidorm Fest
Faced with this avalanche, painted with bad thoughts and not white because of the snow, he reacted: “I removed myself from Twitter. It wasn’t healthy for me and it didn’t give me anything at all.”. But she didn’t stop there. The damage caused by the messages of those thousands of users ended up damaging it. “I became obsessed with reading comments. “It changed my mood for weeks.”recognize.
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One of the sources from which hatred emanated was his candidacy for Eurovision, considered by many people as something unfair because, according to the general opinion at the time, he should have been Rigoberta Bandini who would have led the Spanish delegation. This being the circumstance, Chanel couldn’t help but smile when Carlos del Amor showed her an emotional message from the Barcelona singer: “I stay with this, with the people behind the artist. “This seems beautiful to me, I also have a special affection for it.”
It was at that moment, when the Benidorm Fest won, the beginning of everything, the genesis. “Few people approached me, honestly. It was very interesting. Thank goodness my family was there, because I was able to be with them.”, he explains, adding that his success was not a response to hatred, but a personal artistic effort: “If I had thought about shutting up mouths, if my driving force had been that, I wouldn’t have achieved even half of it. “I focused on being the best version of myself.”
The possibility of making a documentary
His work is iconic and that is how he wants to translate it to the stage. “SloMo It is a song that brought me so many beautiful things… It is no longer mine, it belongs to the people. There are millions of choreographies. “You are going to see this song that also represents me with a Chanel of 2024, with the artist that I am today.”he details, playing with the viewers’ memories by dressing up, again, in the light jacket he wore in Turin.
Then he gave an exclusive, halfway between a joke and the truth, playing with the possibility of releasing a documentary about his life: “What I do have to do is… When I turn 73 and a half, I’m going to make a documentary and I’m going to tell everything that I haven’t told you.”.
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